Bloody Sunday really happened, you guys.

When I was in high school, I had to complete a public service project for one of my classes. I chose to take a Saturday morning and go to Fulton Avenue in Brooklyn, and try to get people to register to vote. It sounded easy enough. And it wasn’t physically demanding or in a particularly tough area — I thought I’d go shopping afterwards. It also left me with an experience I’ve never forgotten.

As expected when you approach strangers on the street, I got ignored a lot. Some people were happy to register. One woman almost cried because she wanted to register to vote, but never knew how. About a third of the people said something like this: “Girl, please! Why waste your time voting? It doesn’t make a difference.” I was 17, so I argued right back with them: “Then don’t complain about your government!”

Seriously, that group of people — all of them black people — really pissed me off at first. And then the experience just stayed in the back of my brain. After I saw “Selma,” they came back to me. Of course I knew what happened 50 years ago on March 7 on the Edmund Pettus Bridge. And here’s hoping all of us will take the 10-15 minutes to read President Obama’s speech about what happened that day, and what has happened since.

Here’s one thing that’s happened since: People, black and otherwise, still sit on their very powerful hands on Election Day, even if they are registered to vote. This happened, although others literally died and took a boot to their face so that everyone could have a say in how our system works. And what do we do to repay that debt? And it is a debt — and let’s just think about this for a second. Fifty or so years ago, a white woman, Viola Luizzo, driving protesters home was killed because she wanted to help. It’s an impact on a movement, but it’s an impact on a family. Someone lost a wife and a mother for the idea that someone else should have what this woman had — something she just got herself! The fabric of a family was torn because of this idea she had about equality everywhere.

But we need to be reminded that it’s Election Day, when it’s the same effin’ spot on the calendar every year. I cried during the scene on the Pettus bridge in Selma because of this mostly. It’s the idea that John Lewis got his ass kicked for black people, and the only time they can find their way to a voting station is when a black person is on the ballot.

“My voice doesn’t matter,” you, you person who refuses to vote and actually brags about it to your family and coworkers, say? “The system doesn’t work anyway? My vote doesn’t make a difference?” Well, there is a point nestled in there somewhere. Our government is imperfect. The idea that lobbyists even exists shows that our system is flawed. We have lawmakers fighting a healthcare system that has been found to be largely beneficial to many of the people they “represent.” Yet these things persists. You know why, right?

Because we think our voices don’t matter. But if Bloody Sunday taught us anything, it would have been that if enough of us talk, people have to listen. That would have been the lesson if we had been listening. But hell, who has time to vote?

#Oscarssowhite. duh.

Was it me or were the Oscars really awkward to watch this year? In the wake of accusations of racism against the Academy of Motion Picture Arts and Sciences, it seemed like they set a new quota for this year — at least one person of color in each frame. The awards ceremony usually does come up with some cheesy gags, but the one with Octavia Spencer was interesting. Her job was to watch a case for host Neil Patrick Harris. I guess she was reaaally good in her role in “The Help.”

The whole program reminded me of someone who gets accused of being a racist. He’s like, “No, no — I have a ton of black friends!” And then you bust out Terrence Howard for no solid reason.

And then there were the nominations. Part of what made me cry about “Selma” was that (most of) it really happened. Not only did it really happen, but today, black people refuse to register to vote despite the fact that people literally died so that could happen.

But that’s me. Me? I saw that movie and thought David Oyelwo, Carmen Ejogo and Wendell Pierce should have been nominated for acting Oscars. I thought Ava DuVerney should have been nominated for best director. It’s another question to ask if they should have won — a question you can answer if you’ve seen every movie nominated in that category. I have not.

The Oscars committee, made up largely of old white males, said, “Meh. I like this “Birdman” movie.” Two things: If you identify more with a struggling actor who is tired of being typecast, but cannot identify with the movie about the thing that happened in the country you live in, it’s just hard to know what to say about that. Second, there’s originality and then there’s just nonsensical. “Nightcrawler?” Original. “Birdman?” Nonsensical. No spoilers here, but seriously, “Birdman” made me want to punch something, especially because I had initially decided after an hour that it wasn’t worth my time, but then I let my husband talk me into finishing it. Besides that, it was also really annoying. Like, someone took the phrase “Drumroll, please,” and went all the way to town.

But anyway, there’s been some accusations of racism about the nominations this year — I wrote a column about this last week. It’s like the president of the African American Film Critics Association told me — it’s not racist, really. It’s perception. It’s having a different set of eyes because only you can see what you’ve seen in your life. It’s why some people I’ve talked to think Birdman is awesome, and others who agreed with me about it. It’s true with all art. To this day, I can’t understand why people like The Great Gatsby. When I was reading it in high school, I was thinking, “You think Daisy and Jay have problems? Whatever!” Of course, I had a library card, so I was reading The Autobiography of Malcolm X and Langston Hughes plays at the same time. Perception. See?

But it does suck that the Academy’s general lack of color bleeds into their decision making, because if you do good work, your peers should give you credit for it. You shouldn’t need a special group of critics to make sure that happens.